| Sumerian Harps from Ur |
view > |
|
| A Hollywood Melody |
view > |
|
| In Memoriam: Edna Phillips Rosenbaum |
view > |
|
| In Memoriam: Francoise des Varennes |
view > |
|
| Ancestors to Heirs |
view > |
|
| In Memoriam: Louise Came Pappoutsakis |
view > |
|
| A Harp Student of the 1920's |
view > |
|
| Salzedo's Tiny Tales |
view > |
|
| Jack Nebergall |
view > |
|
| The Jazz Stylings of Jack Nebergall |
view > |
|
| The Harp Compositions of Patrick Houdy |
view > |
|
| Edits to Henriette Renie's Contemplation |
view > |
|
| Duke Ellington's Musical Dance Suite |
view > |
|
| Exploring the Harp Chamber Music Repertoire |
view > |
|
| Letter from Down Under |
view > |
|
| In Memoriam: Lucile Lawrence |
view > |
|
| Lucile Lawrence: An Appreciation |
view > |
|
| In Memoriam: Mary Jo Breusing Green |
view > |
|
| In Memoriam: Renee Mary Sheranian |
view > |
|
| Analysis of Fantasy for Solo Harp, composed by Gunther Schuller |
view > |
|
| The Zamaras |
view > |
|
| Using the Harp in the Concert Band |
view > |
|
| Annals of the Harp: The Guatemala Teaching Project |
view > |
|
| Annals of the Harp: My Day (excerpt) |
view > |
|
| Annals of the Harp: Recollections of Kajetan Attl |
view > |
|
| Annals of the Harp: Playing with the Chieftains |
view > |
|
| 15th International Harp Contest in Israel |
view > |
|
| In Memoriam: Jane Weidensaul |
view > |
|
| In Memoriam: Marjorie Tyre Sykes |
view > |
|
| In Memoriam: Joseph Longstreth |
view > |
|
| In Memoriam: Dorinne Yoder |
view > |
|
| In Memoriam: Mildred Biehn Johnson |
view > |
|
| In Memoriam: Charles Joseph Kleinsteuber |
view > |
|
| In Memoriam: Majolaine Frances LeBeck Bethell |
view > |
|
| In Memoriam: Francesca Corsi |
view > |
|
| Dolce Quasi Arpa: Franz Liszt and the Harp |
view > |
|
| Gene Bianco and the Soft Push |
view > |
|
| The Roslyn Rensch Papers and Harp |
view > |
|
| A Legacy from Marilyn Costello |
view > |
|
| Remembering Marie Ludwig |
view > |
|
| Broadway Musicians' Strike |
view > |
|
| In Memoriam: Phyllis Schlomovitz-Sorenson |
view > |
|
| In Memoriam: Linda Fiore |
view > |
|
| In Memoriam: Joan Seymour |
view > |
|
| In Memoriam: Edith Bondi |
view > |
|
| In Memoriam: Dale Wood |
view > |
|
| Robert Maxwell: A Life in Music |
view > |
|
| A New Approach to an Old Problem: Bela Bartok's Violin Concerto |
view > |
|
| Arrangement versus Transcription and Other Considerations |
view > |
|
| Editing Mozart's Flute and Harp Concerto |
view > |
|
| In Memoriam: Derek Bell |
view > |
|
| In Memoriam: Daphne Hellman |
view > |
|
| One Musician's Life |
view > |
|
| Discovery and Acknowledgement: Chou Wen Chung's Two Chinese Folk Songs |
view > |
|
| The Harpist and His Problems |
view > |
|
| Traveling with the New York Harp Ensemble |
view > |
|
| In Memoriam: Ester McLaughlin |
view > |
|
| Queen of Harps |
view > |
|
| Suzanne Balderston: Artist, Teacher, Author, Arranger, Businesswoman, Entertainer |
view > |
|
| Annals of the Harp: A War Time Visit with Mlle Renié |
view > |
|
| Annals of the Harp: A Lesson with Mr. Grandjany |
view > |
|
| Annals of the Harp: An Early Portrait of Salzedo |
view > |
|
| Annals of the Harp: Grandjany's Unknown Organ Composition |
view > |
|
| Annals of the Harp: New York City: 1947-1953 |
view > |
|
| Les Elves |
view > |
|
| Mildred Dilling (1894-1982): 20th Century Diva |
view > |
|
| The Lady and the Harp |
view > |
|
| In Memoriam: Jacques Salzedo |
view > |
|
| In Memoriam: Anne Sacchi Caratelli |
view > |
|
| Farewell from the Executive Secretary |
view > |
|
| Onward and Upward! A Tribute to Dorothy Remsen |
view > |
|
| The New AHS Executive Secretary: Kathleen Moon |
view > |
|
| Laura Newell, the Shulman Brothers, and the New Friends Rhythm |
view > |
|
| Salzedo on the Air |
view > |
|
| Elyse Ilku: The Survivor |
view > |
|
| Boston University Honors Lucile Lawrence |
view > |
|
| Realizing a Fantasy |
view > |
|
| A Conversation with Judy Loman |
view > |
|
| Faure's Impromptu, Op. 86 for Harp: An Analytical Examination |
view > |
|
| Ravel's Introduction et Allegro: History and Lore |
view > |
|
| How I Came to the Harp or How the Harp and I came to Each Other |
view > |
|
| A Perspective on the Art of Michael Amorosi |
view > |
|
| Debussy and His Danses: How Did He Want the First Page Played? |
view > |
|
| Dulova in Los Angeles |
view > |
|
| In Memoriam: Artiss de Volt Zacharias |
view > |
|
| Stella Castellucci: A Life in Music |
view > |
|
| An Interview with Jean-Michel Damase |
view > |
|
| Who Really Composed the Impromptu, Op. 876? In Defense of Faure |
view > |
|
| Cynthia Otis: Forty Years with the New York City Ballet |
view > |
|
| In Memoriam: Lucien Warner Thomson |
view > |
|
| In Memoriam: Michael Amorosi |
view > |
|
| The Malone Tribute Weekend at the Eastman School of Music |
view > |
|
| The Hollywood Studio Trio: Ann Mason Stockton, Catherine Gotthoffer, and Dorothy Remsen on the Harp in Film |
view > |
|
| Lucien Thomson: A Lifetime of Devotion to the Harp |
view > |
|
| The Modern Editions fo Handel's Harp Concerto |
view > |
|
| Who Actually Wrote the Impromptu of Fauré? |
view > |
|
| Peggy Glanville-Hicks |
view > |
|
| A Tribute to Dorothy Remsen |
view > |
|
| Tribute to a Titan: Eileen malone, 1906-1999 |
view > |
|
| In Memoriam: Dorothy Adele Henschen |
view > |
|
| In Memoriam: Mary Arlene (Eby) Brickford |
view > |
|
| Inside Jean Cras' Laboratory II: cyclical Composition at Its Zenith: Quintette pour harpe, flute, violon, alto, et violoncelle |
view > |
|
| melanie Lewy Parish-Alvars (ca. 1824-1856): New Discoveries and Perceptions |
view > |
|
| Adele Girard and Joe Marsala: The Sweethearts of Swing |
view > |
|
| Profile of Ann Hobson Pilot: An Uncommon Journey |
view > |
|
| A Harpist's View on the Training of Musicians |
view > |
|
| Salzedo Beyond the Harp: Twentieth Century Influences |
view > |
|
| Casper Reardon |
view > |
|
| Obituary: Marie Mellman Naugle |
view > |
|
| Reflections on the Music Education Auditions |
view > |
|
| New ideas for Harpists Giving School Presentations |
view > |
|
| Help! We Have a Harpist in Our Orchestra! Notes to the School Orchestra Director, School Music Teacher, and Private Teacher |
view > |
|
| inside Jean Cras' Laboratory: The Genesis of His Suite en duo for Flute and Harp (1927): An African Diary in Music and Letters |
view > |
|
| Harp Lady |
view > |
|
| The Comtesse And Her Wunderkind: Madame de Genlis and Casimir |
view > |
|
| A Harpist in Spite of Himself |
view > |
|
| A Tribute to Alice Chalifoux |
view > |
|
| Reminiscences: Henriette Renié |
view > |
|
| Hasselmans and LSU |
view > |
|
| For Solo Trombone--As told by Lucile Lawrence to Ray Pool on July 5, 1998 |
view > |
|
| A Rediscovered Masterpiece: Jean Cras' Deux Impromptus pour harpe (1925) |
view > |
|
| In Memoriam: Marilyn Costello |
view > |
|
| Harpists' Health and Fitness |
view > |
|
| In Memoriam: Aristid von Wurtzler |
view > |
|
| The Emergency Repair Kit |
view > |
|
| Appreciation of a Sapnish Harpist: Rosa Barcells |
view > |
|
| On the Cover: A Tribute to the American Harp Society's First President, Lucile Lawrence |
view > |
|
| Comtesse Stephanie-Felicite de Genlis |
view > |
|
| Swanson Harp Company |
view > |
|
| In Memoriam: Gertrude Peterson Hustana |
view > |
|
| Obituary: Kira Pratt Davis |
view > |
|
| Obituary: Nancy Gustavson |
view > |
|
| Reflections and Tributes on the Occasion of Alice Chalifoux's Move to Virginia |
view > |
|
| Mildred Biehn Johnson |
view > |
|
| Karl Edward Carlson |
view > |
|
| Judy Loman |
view > |
|
| The Art of Harp Gilding |
view > |
|
| In Memoriam: DeWayne Fulton |
view > |
|
| In Memoriam: Sister Mary Emerentia |
view > |
|
| In Memoriam: Kathryn Allen Samuelson |
view > |
|
| In Memoriam: Georgia Vraz |
view > |
|
| A Tribute to Edna Phillips |
view > |
|
| The Bacarisse Commission: An Exercise in Bibliographic Detection |
view > |
|
| The Bohemian Harpist Hanus Trnecek (1858-1914) |
view > |
|
| Healthy Feet Make Better Harpists |
view > |
|
| The Harp Online |
view > |
|
| On the Cover (Psalter ca. 1240-1250 from J. Paul Getty Museum) |
view > |
|
| In Memoriam: Jack Nebergall (1924-1996) |
view > |
|
| Kathleen Bride |
view > |
|
| Leonard Slatkin: AHS's Newest Honorary Life Member |
view > |
|
| In Memory of Miss Dilling |
view > |
|
| Like Mother, Like Daughter: Linda and Lisa Wellbaum |
view > |
|
| A Piece of the Puzzle |
view > |
|
| The Edinburgh Festival and "The Festival Fringe" |
view > |
|
| In Memoriam: Jeanette Pass Goldhar |
view > |
|
| In Memoriam: Robert T. Storm |
view > |
|
| In Memoriam: Stanley Chaloupka |
view > |
|
| Some Thoughts on the Irish Harp |
view > |
|
| In Memoriam: Joël Garnier |
view > |
|
| In Memoriam: Joël Garnier |
view > |
|
| In Memoriam: Emily Kellam Babcock |
view > |
|
| The Harp's Standard Repertory |
view > |
|
| "Vivo, Molto Ritmico": Jazz Harpist Lori Andrews |
view > |
|
| In Memoriam: Virginia Robbins |
view > |
|
| In Memoriam: Zhe-Zhi Xie |
view > |
|
| The History of the American Harp Society Competition |
view > |
|
| Marjorie Tyre (Part II) |
view > |
|
| Experience is the Best Teacher: An Interview with Joan Mainzer |
view > |
|
| Electric and Acoustic Harps: Another Perspective |
view > |
|
| A Bequest of Love: Mary T. Heroux Wheeler |
view > |
|
| In Memoriam: Judy Kirby McDonald |
view > |
|
| In Memoriam: Don Henry |
view > |
|
| Marjorie Tyre (Part I) |
view > |
|
| Coming of Age: The Electric Harp |
view > |
|
|
view > |
|
| The Teachers Forum |
view > |
|
| Tatiana Tauer |
view > |
|
| In Memoriam: Harriet Wood |
view > |
|
| In Memoriam: Helen Higgins Ellis |
view > |
|
| In Memoriam: Lloyd Lindreth |
view > |
|
| In Memoriam: Geraldine Shanks Wright |
view > |
|
| Teachers Forum |
view > |
|
| The Irish Harp: Part II: 17th and 18th Century Irish Harpers |
view > |
|
| Scholarly Consensus: Dussek, A Forgotten Composer |
view > |
|
| Misprint Corner |
view > |
|
| Let Us Get Acquainted with our Composers: Alan Hovhaness |
view > |
|
| Obituary: Aileen M. Peters |
view > |
|
| The Evening Harp Class for Beginners: One Teacher's Way |
view > |
|
| The Irish Harp: Part I: The Harp in Ancient Ireland |
view > |
|
| Scholarly Consensus: Handel's Harp Concerto |
view > |
|
| Let Us Get Acquainted with our Composers: Elie Siegmeister |
view > |
|
| Competitive Performance |
view > |
|
| Christmas Music for Harp |
view > |
|
| The Legacy of King David (Part 2) |
view > |
|
| Scholarly Consensus: Passacaille by G. F. Handel |
view > |
|
| Misprint Corner |
view > |
|
| Music for Flute and Harp: A Continuing Bibliography |
view > |
|
| The Harp Program in the Public Schools |
view > |
|
| Let Us Get Acquainted with our Composers: Vincent Persichetti |
view > |
|
| Benjamin Britten (1913-1976) |
view > |
|
| Bochsa's Technical Principles |
view > |
|
| The Legacy of King David (Part 1) |
view > |
|
| Let Us Get Acquainted with our Composers: Sergiu Natra |
view > |
|
| Obituary: William Cameron |
view > |
|
| Obituary: Maryce R. Pickering |
view > |
|
| To Sing to the Harp |
view > |
|
| A Renaissance of the Irish Harp |
view > |
|
| Fanny Krumpholtz and her Milieu |
view > |
|
| Parish-Alwars in Vienna |
view > |
|
| Teaching the Younger Harpist |
view > |
|
| In Memory of a Great Artist: Gregor Piatigorsky |
view > |
|
| Let Us Get Acquainted with our Composers: Walter Mourant |
view > |
|
| A Workshop in Music Binding |
view > |
|
| Review: Debussy Danses November, 1904 |
view > |
|
| Obituary: Elizabeth Hamburger |
view > |
|
| Obituary: Marie Macquarrie |
view > |
|
| Obituary: Ruth Linrud Thompson |
view > |
|
| Alphonse Hasselmans: Postlude for an Era |
view > |
|
| Introducing the Music Education League's New Harp Program |
view > |
|
| The Oracular Nature of the Early Celtic Harp |
view > |
|
| A Tribute to Marcel Grandjany from the Members of his First Juilliard Class |
view > |
|
| Building a Harp Class in the Summer School Program |
view > |
|
| Memories of Debussy and the Origins of the Harp Quintet |
view > |
|
| In Defense of Contemporary Music |
view > |
|
| Motion Picture Recording |
view > |
|
| The Harp |
view > |
|
| Profile: Salvatore Mario de Stefano |
view > |
|
| The Harp in Queekhoven |
view > |
|
| Great Artists of the Past: Ada Sassoli |
view > |
|
| Music: Sonata I |
view > |
|
| Claudio Monteverdi and the Arpa Doppia |
view > |
|
| Alfred Kastner |
view > |
|
| The Miracle of the Harpist's Hand |
view > |
|
| Recollections of a Harpist |
view > |
|
| Healing with a Harp |
view > |
|
| The Sumerian Harp |
view > |
|
| Analysis of an Aesthetic Pertinent to Sound |
view > |
|
| The Harp in Latin America |
view > |
|
| Sylvia Meyer |
view > |
|
| Obituary: Vojmir Attl |
view > |
|
| Obituary: Rosa Spier |
view > |
|
| Frances Morgan |
view > |
|
| Understanding the Student Harpist |
view > |
|
| Thoughts on Teaching |
view > |
|
| Dussek and the Harp |
view > |
|
| The Church Organist--Guilty as Charged? |
view > |
|
| The Harp in the Orff Schulwerk |
view > |
|
| Profile: Edward Vito |
view > |
|
| Holland Harp Week--The First Ten Years |
view > |
|
| Profile: Stanley Chaloupka |
view > |
|
| Chapter Auditions--Journey into the Unknown |
view > |
|
| The Javanese Tjelempung |
view > |
|
| An Interview with Pierre Jamet |
view > |
|
| An Interview with Lucy Lewis |
view > |
|
| Grandjany: A Precious Heritage |
view > |
|
| Music for Harp, Oboe and Percussion |
view > |
|
| Sightreading for a Living |
view > |
|
| Bochsa: A Biographical Sketch |
view > |
|
| Profile: Mildred Dilling |
view > |
|
| Extension of Harp Technique |
view > |
|
| Discipline Will Determing Any Championship |
view > |
|
| Lou Harrison |
view > |
|
| The Eleventh International Holland Harp Week |
view > |
|
| Backstage with a Harp |
view > |
|
| the Harp in Ancient Israel (Part 1) |
view > |
|
| From Parish-Alvars to Grandjany: A Tribute to Grandjany on his 80th Birthday |
view > |
|
| The Twelfth International Harpweek in the Netherlands |
view > |
|
| A Short History of the NCHA |
view > |
|
| The Harpist's Guide to London |
view > |
|
| The Harp in Ancient Israel (Part 2) |
view > |
|
| Do It Yourself: How to Change a Pedal Rod |
view > |
|
| Folk Harp of Mexico |
view > |
|
| New Hope for the Troubled |
view > |
|
| The "Old Harp" Column |
view > |
|
| The Pig and I! |
view > |
|
| Pierre Jamet: A Portrait at 80 |
view > |
|
| Johann Baptist Krumpholtz |
view > |
|
| Conversation at Queekhoven 1973 |
view > |
|
| Analysis for Older Beginning Harpists |
view > |
|
| Harp Carvings on the Irish Crosses |
view > |
|
| Journey to Queekhoven, International Harp Week 1974 |
view > |
|
| On Composing for the Harp |
view > |
|
| The Harp in America |
view > |
|
| Orchestra Harp from A to Z |
view > |
|
| In Defense of Transcriptions |
view > |
|
| Marcel Grandjany Memorial Concert |
view > |
|
| The Madness of Sir Tristram |
view > |
|
| International Harpweek 1975 |
view > |
|
| Henriette Renié |
view > |
|
| Jean-Baptiste Cardon |
view > |
|
| Marcel Grandjany In Memoriam |
view > |
|
| Obituary: Viola Gramm-Salzedo |
view > |
|
| Obituary: Mrs. Amaret Williams Goldthwaite |
view > |
|
| Harpists and Places Revisited |
view > |
|
| Notes on the Kong Hou |
view > |
|
| Reproduction of Japanese Kugo |
view > |
|
| Henriette Renié |
view > |
|
| Music Teacher: Do You Steal? |
view > |
|
| Eileen Malone: Eastman School of Music |
view > |
|
| Scholarly Consensus: Johann Baptist Krumpholtz |
view > |
|
| Holliger's Sequenzen uber Johannes I:32: A Brief Analysis and Guide |
view > |
|
| Misprint Corner |
view > |
|
| Business and the Creative Arts |
view > |
|
| Let Us Get Acquainted with our Composers: Nuncio Mondello, Schuman, and Mennin |
view > |
|
| A First! |
view > |
|
| Obituary: A. Z. Propes |
view > |
|
| Obituary: Dr. Hans Joachim Zingel |
view > |
|
| The Irish Harp: Part III: Contemporary Use of the Irish Harp |
view > |
|
| Lyon & Healy: the First Ninety Years |
view > |
|
| On the Lighter Side: Infinite Perspectives |
view > |
|
| Notes on the Background of the Salzedo Family |
view > |
|
| The Story of an Unknown Rossini Harp Sonata |
view > |
|
| How to Load Your Harp Alone |
view > |
|
| Ned Rorem's Book of Hours: Analysis and Study Guide |
view > |
|
| The History of the Salvi Harp |
view > |
|
| Alberto Salvi His Family, His Concert Career |
view > |
|
| The World of the Harp: 1963 and 1980 |
view > |
|
| In Memory of Maria Korchinska |
view > |
|
| Britten's Suite for Harp: Analysis and Study Guide |
view > |
|
| The Harp as a Continuo Instrument in the Baroque Period |
view > |
|
| The Perils of Secondary Sources: an Annotated Bibliography of Encyclopedic and Dictionary Sources Relating to Harpist Members of the Krumpholtz Family |
view > |
|
| The Fantasticks: A Twenty Year Retrospect |
view > |
|
| The Tenth Anniversary of The New York Harp Ensemble |
view > |
|
| On the Lighter Side: Gail Laughton, Jazz Harpist |
view > |
|
| Nicanor Zabeleta |
view > |
|
| C.P.E. Bach's Harp Sonata |
view > |
|
| Harp Strings: Selection and Care |
view > |
|
| Britten's A Ceremony of Carols |
view > |
|
| On the Lighter Side: The Amazing Dorothy Remsen |
view > |
|
| In Memoriam: Marietta Bitter |
view > |
|
| Bernard Zighera Retires from the Boston Symphony Orchestra |
view > |
|
| Looking Good: Your Harp's Appearance |
view > |
|
| An Interview with Marilyn Costello |
view > |
|
| Venus Harps |
view > |
|
| Salzedo's Later Thoughts on His Variations |
|